At the Glastonbury Crop Circle Conference I had the opportunity to speak with master dowser, Hamish Miller. (24) I explained to him about the church and the ironwork encasing the tower. I asked him whether the Faraday Cage idea had legs. “It makes perfect sense,” was his exact reply. His solution was to find the centre of the church and ask that the power be increased, which was of course what I had been doing for a number of weeks anyway. I’d like to thank both David Cowan and Hamish Miller for their greatly valued advice, I appreciate it very much.
Sadly St Mary’s is still encased in her bride’s scold and chastity belt. She still weeps but at least for now she does not wail any more. I continue to send healing and love, as do others. But now I feel the sinister agenda has stepped up its attack. It isn’t the crop circles so much that it means to conquer, it is the very life-force of these Isles, and through that our planet. I sense that crop circles as an expression of the beauty of Creation are being counteracted by a dark force intent on negation - Shadowing, I’ll call it. For every picture of joy comes a wolf in a sheep’s clothing, when it can, cunningly disguised devices seemingly to the intellect to be from the same source. By source I mean light or dark, the Creator or the Darkness. (see Crop Circle Predictions ) That, I think, was the reason for the crop circle vision I encountered on my walk that subsequently appeared on the 18th July; especially as it was almost immediately followed by the caution regarding Garsington church. Two examples of attempted Shadowing are the Whitehorse Angel, which was Shadowed by the Wayland Smithy Explosion (see page 4). The other example takes us back to the beginning of this article, to the wheat fields of Toot Baldon and Garsington.
sleight of the hand. They were his crops, he (and others probably) had worked hard to grow them, but the researchers weren’t damaging them, they were entirely respectful. This planet belongs to everyone and no one. It was here before us and it’ll be here long after we are fossils in some future species’ museum. That was possibly one of the first moves the Darkness instigated in its attempt to subdue the Goddess on this occasion.
The Mary Circle in Toot Baldon, with its Vesica Pisces and Flower of Life, symbolised the rebirth of the Goddess. As it was the nearest wheat field to St Mary’s Church, and could be seen from there, it was a statement of obvious intent. The Goddess is awakening. The pattern lay quietly in the fields up until around the 11th August.
While she graced the field a farmer displaying the Saturnian character of the Darkness stomped across his own crop to angrily demand that a group of researchers (Linda Moulton-Howe, amongst them), who were carefully negotiating the tramlines to reach the site, vacate his land. (25) What a joke! His land?! Bollocks! You can no more own land than you can the wind. This is another Saturnian
She was about to be bound to a cartwheel and set afire to. His mistake was to have a wet paint sign on it, which of course impelled her to touch it, and it just came away in her hand (honest guv). When this didn’t work he had her beheaded. St Catherine, like St Martha who the Toot Baldon pattern relates to, is clearly another Venus, another Mary. In the wheel story (not real story, I’m not Jonathon Ross) Catherine is the fire, the inspiration. The cartwheel is Saturn, God of the Darkness, the sun of the Dark Ones, who disputes the sun. And that is who I think made this circle and I would not be surprised at all if they are the same vandals who have attacked the church’s roof and stonework. Lead is the metal of Saturn. A Satanic rite was held here, betchya!
Around the same time that this troubled farmer blew his top another design appeared in a field not half a mile away. This time it didn’t shout to the world, “Hey, I’m here!” It skulked in a corner of a field almost as far away from the symbol of light (the electricity sub-station) in that enclosure as possible. Its exterior, a hexagon, having no rays it represents a star that does not shine - a death star. Coffins are extended hexagons for the same purpose - no life exists within.
A perfect hexagon, as this one is, is formed by 6 equilateral triangles. Equilateral triangles have internal angles of 60, 60 and 60 degrees - 666. The length of each side of the hexagon was 35 feet (circa 11 metres). 6 x 35 = 210, which number (21) relates to the Tarot ‘World’. (26) This card’s symbolism relates to the energies and frequencies that influence our world with the Goddess in the centre. As 11 metres we have a circumference of 66 metres containing 6 triangles (666 again). The sides of each triangle total 33 (the same total of energy streams alleged to pass through St Mary’s Church.) This contrasts to the vibrant, promising, and six-petal flower of life in the earlier pattern in Toot Baldon.
The ‘S’-type signature lays widdershins (against the sun - anticlockwise). This has the purpose of feeding on energy, depleting it, and is why at places like Stonehenge people are herded in a counter clockwise direction. Trapped in the middle of this later design is the deosil serpentine symbol of Venus, the Goddess. As well her head has been dissected - cleaved in two. It is a pictogram of death - a Shadow of the earlier Flower of Life. As I mentioned
earlier, right by this death star is a large flat stone, and this, I suggest, represents the altar. The path you can see on page one leads directly to the crop circle from the stone. This crop formation, I suggest, portrays the sacrifice of the Goddess to the Darkness. Constructed during the festival of Lughnasadh (Christian Lammas), a time traditionally associated with funerals and sacrifice, and to St Catherine, who legend tells us the Saturn driven Roman Emperor Maximus decided in his loving way would make a jolly firework. (27)
The next day, again with friends, I visited again. The formation retained its sense of lovely gentleness. My companions had not seen the Mary Circle in Toot Baldon so we drove to St Mary’s to view the outline in the field. We weren’t there long when one friend spotted something quite chilling on the corrugated iron. On the western side of the tower facing the crop circles, written very precisely, in what looks like blood, are the words, “CHRISTIAN'S BLEEDING?” How long this has been here I have no idea.
been lightly trodden upon. The stems are not broken and some are standing erect again. I suspect that the formation has been ‘danced’ probably by women and that this has ‘lightened’ the pattern and banished the Darkness from it.
T'was in these very woods that I heard the unmistakeable low rumbling growl of a big cat, not once but twice. Several weeks later a sceptical acquaintance on a midnight skywatch heard the beast, actually two of them roaring to each other from one end of the wood to t'other. As he drove down the hill one of them ran straight across his path. story here
Update
I revisited the Hexagram circle on Saturday 19th August with a friend. The negative feeling of the design has been replaced with a subtle and gentle one. The spirals are flatter and seem to have
P.S. On a visit to Cornwall in July I noticed that scaffolding has been erected around buildings on St Michael's Mount; this like Sinodun Hill is where the St Michael and St Mary lines meet. By the way, the actual kissing point on Sinodun is fenced off, funny that! Major stones at Avebury were fenced off for a long time too, and don't forget that the holey Hill of Silbury is also barred.
The woods below Sinodun Hill are regularly used for rites. A few years ago I discovered such a site amongst the pines where huge and numerous paper and cloth dragons flew in the breeze suspended from the branches. There were crafted woodworks, the remains of fires and expertly carved trees. I seem to remember it was around Imbolc Tide, but it may have been later. I was living in Oz at the time and I was only on a short walk one Sunday afternoon. I didn't sense anything sinister about the place, so it could have been a benign nature-based ceremony that had been held there. Unfortunately I was unable to return for a couple of years but when I did the carved trees had gone - they may have perished, perhaps they had been ringbarked or even removed by someone. The place was clearly still active, small and recently crafted wooden items remained on the forest floor.
The strange life and times of a child from eternity
Paranormal experiences with Extraterrestrials, Humans, & Beings from other worlds and dimensions
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